Armin Strom Minute Repeater Resonance

Armin Strom Masterpiece 2 is a world first two-in-one

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Minute Repeater Resonance by Armin Strom, the world’s first and only resonance chiming wristwatch, offers two-in-one for double the pleasure. Two complications, resonance and minute repeater; two vertically-stacked independent movements; two forms of resonance (oscillators and sound propagation); two independent mainsprings in one barrel; and two top development teams in Armin Strom (resonance) and Le Cercle des Horlogers (repeaters).

Armin Strom Minute Repeater Resonance
Armin Strom Minute Repeater Resonance

The Minute Repeater Resonance is not simply a masterpiece, it’s Masterpiece 2!

Inspired by the Bern’s centuries old chiming tower clock, the Minute Repeater Resonance is limited to just 10 pieces in celebration of the 10th anniversary of the Armin Strom manufacture. Masterpiece 2 highlights both the phenomenon of resonance and the sonorous chiming of the time by placing all of the action up front and center dial side.

Activated by a slider on the left side of the case band, two hand-polished hammers at 11 o’clock and 1 o’clock respectively chime the hours and minutes on two three-dimensionally curved gongs encircling the hour/minute subdial. The hammers are visually and technically balanced by the two independent regulators – one for each of the two movements – at 5 o’clock and 7 o’clock.

The case is in Grade 5 titanium for optimal sound transmission (and comfort), and its 47.7 mm diameter allows for a generous volume for the sound to propagate from. The sonorous chimes are also enhanced by attaching the gongs directly to the case.

A specially developed security system maximizes ease-of-use by protecting the minute repeater from accidental damage by blocking operation during time-setting and winding.

Fully visible between the two oscillating balances is Armin Strom’s patented Resonance Clutch Spring – the key to Armin Strom’s mastery of resonance – and the result of three years of intensive research and development.

While it has been long known that resonating coupled oscillators in watch and clock movements improves accuracy, less known is that resonance also conserves energy. Armin Strom’s laboratory testing has revealed gains in precision of 15-20%.

Under a virtually invisible sapphire crystal dial, the dual balances oscillating in synchronization and the two hammers striking the time, the Minute Repeater Resonance stages an unparalleled horological spectacle for both the eyes and the ears.

The Armin Strom Minute Repeater Resonance is a limited edition of 10 pieces in Grade 5 titanium in honor of the 10th anniversary of the manufacture. There will be no more editions.

Minute Repeater Resonance: Inspiration

For the 10th anniversary of its fully integrated manufacture, Armin Strom decided to develop a world-first masterpiece fully highlighting the brand’s savoir-faire. As the industry leaders in resonance, including the brand’s laboratory-certified resonance technology was an easy choice. But Armin Strom’s chief watchmaker Claude Greisler wanted something more: a grand complication.

Inspiration for a minute repeater came from an unusual source: a sixteenth-century tower clock. Armin Strom is based in Bienne in Switzerland’s canton of Bern, and Greisler wanted to pay homage to the region. While the French-speaking region of Switzerland is known for a multitude of famous historical timepieces, Bern has far fewer. But it does have one landmark clock that everyone in the region knows: the thirteenth-century Zytglogge. The clock in this tower has not only served as the city’s main clock for more than 500 years, the tower also served as the reference point for travel times indicated on stone markers along the main cantonal roads.

This clock tower supposedly helped Albert Einstein hone his special theory of relativity while working as a patent clerk in Bern.

The impressive tower clock is animated with automatons: four minutes before the change of the hour, a cock crows, a bear (the symbol of Bern) makes his rounds, and a jester takes the liberty of announcing the hour in advance. And at the top of the hour (and on the quarters), the clock chimes the time for all to hear.

Minute Repeater Resonance: Development

Armin Strom as masters of resonance movements wanted to work in partnership with masters of chiming watches, and Greisler knew the perfect person and team: his old friend Alain Schiesser, founder of Cercle des Horlogers, with whom he had worked with in the past at Christophe Claret. Working behind the scenes, Le Cercle des Horlogers has developed around half of the minute repeaters launched by prestigious Swiss brands over the last few years.

Originally the minute repeater mechanism had been envisaged to be in the traditional position at the back of watch, but the team decided that it deserved equal billing with the resonant regulators dial side where it could be appreciated by all. This brought many technical challenges of its own. Armin Strom not only wanted the resonant regulators and minute repeater hammers and gongs to be fully visible on top of the movement dial side; Greisler and his team did not want appreciation of the animated mechanisms to be potentially diluted by the associated gearing necessary to drive the repeater and going train for the time display. So the movements are inverted with the pinions driving the repeater hammers and hour and minutes transversing the two vertically stacked calibers.

They say necessity is the mother of invention and that’s certainly the case here. Space constraints meant that there was insufficient room for separate large mainspring barrels for each of the two movements, so Armin Strom developed an innovative single barrel with two independent mainsprings inside, each driving its own movement.

The high visibility of the complications dial side also dictates that the watchmakers have to pay very special attention when assembling and regulating the watch as the slightest scratch or mark on the beautifully hand-finished surfaces would be visible to all. Skeletonized bridges and plates (an Armin Strom specialty) allow visual access through the sapphire crystal dial deep into the movement.

While the vast majority of the components were produced in-house at the Armin Strom manufacture, the gongs were made by Le Cercle des Horlogers in a process involving more than 30 different stages including multiple thermic treatments. While the exact process is a closely guarded secret, it is said to be very similar to Patek Philippe’s process for making gongs.

All components are finished to the very highest level, but of special note is the tremblage hand-engraving on the large golden balance cocks supporting the two oscillating balances. While titanium is the perfect metal for both transmitting the resonating sound from the gongs to the ear and ensuring that the watch is relatively light and comfortable to wear, it is a ‘cold’ metal; this coolness is balanced by the warm gold.

Resonance

In the pursuit of horological accuracy, precision, and rate stability, resonance has usually involved using two independent movements connected to allow fine tuning of the distance between them. Until Armin Strom, precise adjustment of the distance between the two regulators has been necessary to incite resonance. However, the Armin Strom Resonance Clutch Spring eliminates the necessity for fine tuning the distance, ensuring a much more reliable and efficient resonant system only taking up to 10 minutes to synchronize. The idea of resonance has endured for three centuries for a reason, but that doesn’t mean you can’t improve upon it.

Armin Strom’s patented Resonance Clutch Spring is an innovative way of upgrading an old concept, one that is horology’s very reason for being: precision and accuracy.

Note that the CSEM (Centre Suisse d’Electronique et de Microtechnique) has officially certified Armin Strom’s resonance system based on the clutch spring as being a true system in resonance.

What is resonance?

A body in motion causes vibrations in its surroundings. When another body with a similar natural resonant frequency to the first receives these vibrations, it absorbs energy from it and starts vibrating at the same frequency in a sympathetic manner. For example, a trained singer can hold a note causing a tuning fork tuned to the same frequency to vibrate.

For the oscillators of a watch movement to be able to synchronize with each other, they have to be closely tuned. Imagine a small child trying to synchronize steps with an adult; the child is unlikely to synchronize for more than a few steps as the systems are too dissimilar to resonate.

Or imagine yourself pushing a child on a swing: the child and the swing make a natural pendulum, which will have an inherent natural frequency (speed of swing back and forth). If you push at the wrong frequency (too fast or too slow) then you are likely to block the motion and slow the swing down; however, if you push at or near the natural frequency of the swing then you will increase the amplitude (distance the swing moves) of the child/swing system.

In horology, the phenomenon of synchronized motion has fascinated watchmakers since the time of Christiaan Huygens (1629-1695). Huygens, inventor of the pendulum clock, was the first to discover the resonance of two separate pendulum clocks, which he logically surmised should keep slightly different time. When hung from a common beam, however, the pendulums of the adjacent clocks synchronized; subsequent researchers confirmed that the common wooden beam coupled the vibrations and created resonance. The two pendulums functioned as one in a synchronous manner. In the eighteenth century, Abraham-Louis Breguet demonstrated his mastery of the physics with his double pendulum resonance clock.

An outside shock slowing down one of them increases the speed of the other one by the same amount; but both will strive to get back in resonance, averaging and minimizing the effects of the outside influence as they find their rhythm. What was true for Huygens’ and Breguet’s clocks is just as true for Armin Strom’s wristwatch.

The advantages of resonance are threefold:

  1. stabilizing effect on timekeeping, meaning better accuracy;
  2. conservation of energy (think of a professional cyclist riding in the shadow of another cyclist in a racing situation); and
  3. reduction of negative effects on timekeeping accuracy due to outside perturbation such as shock to the balance staff, which in turn keeps the rate more stable (better accuracy).

While the advantages of resonance have been known for centuries, only a handful of clockmakers and watchmakers have created timepieces deliberately and successfully exploiting the phenomenon of resonance, including Antide Janvier (1751-1855) and Abraham-Louis Breguet (1747-1823).

And, now, Armin Strom.

Technical specifications: Armin Strom Minute Repeater Resonance

Indications:
off-centre hours, minutes, minute repeater

Movement:
Armin Strom manufacture calibre ARR18, collaboration with Le Cercle des Horlogers, limited edition of ten pieces, manual winding, patented Resonance Clutch Spring

Regulating system: two independent regulation systems connected by patented and certified Resonance Clutch Spring

Power reserve: 96 hours

Dimensions: 39.40 mm x 11.35 mm

Frequency: 3.5 Hz (25,200 vph)

Finishing: base plate and bridges are decorated to the highest quality level

Jewels: 51

Number of components: 408

Case:
Grade 5 titanium
Sapphire crystal and case back with antireflective treatment
Diameter: 47.7 mm
Height: 16.10 mm
Water resistance: 30m

Dial: transparent with fumée

Hands: polished stainless steel

Strap: delivered with a dark grey alligator strap and stainless-steel steel double-folding clasp.

Edition: Limited to 10 pieces

Price: CHF 380,000.-

 

Armin Strom today: Serge Michel and Claude Greisler in partnership

Children born in the same year growing up in a town like Burgdorf (population 15,000) are likely to know each other, either through school, family, or mutual friends. Such is the case with Serge Michel and Claude Greisler, who grew up in the town where Armin Strom, famous for his watch skeletonisation skills, had his watch shop and workshop. When the plastic Swatch watch was launched, having been developed and produced in the nearby city of Bienne, Serge was hooked and started collecting Swatches, following in the footsteps of his father, who is also a watch collector. It was a passion that would continue throughout his life. But while Serge went on to study marketing, Claude decided to become a watchmaker, first attending the watchmaking school in Solothurn before specializing in the restoration of vintage and complicated movements at the CIFOM technical school in Le Locle, concluding his studies there with a specialization in movement development.

Both Serge and Claude had known about watchmaker Armin Strom from a very young age. Serge not only remembers peering through the window of his store to look at the watches, but also the fact that Armin Strom was a local celebrity known for travelling far and wide to deliver his watches to customers. Claude had also known about Armin Strom from an early age, since his parents owned an optician’s shop right next to Armin Strom’s store in the historic centre of Burgdorf. In Serge’s case, Armin Strom became a family friend and at convivial dinners the talk would often turn to watches and watchmaking. It was hardly surprising, therefore, that the family friendship evolved into a business relationship in 2006 as Armin Strom was considering how to ensure the future of his name and reputation.

“I was convinced that this is a fantastic opportunity to maintain this tradition of skeletonizing watches and develop it for the future, and my family agreed,” says Serge. “That was back in 2006, but at the time we didn’t really have the knowledge about watchmaking. We had the passion, but we needed someone who was an expert on the watchmaking side of things, which is where Claude comes in. He joined me in 2007, and we started to set up the brand Armin Strom and change the direction from purely handmade skeletonised watches to a fully equipped manufacture, which we are today.”

For Claude Greisler, it was like a dream come true. “When Serge first called me and talked about taking the brand to the next level with a factory and taking the brand over from someone from the same town as us, it was the perfect mix. Armin Strom had always been interested in the mechanics of the movement, so to be able to take this philosophy forward was a fantastic opportunity.”

The core element in the vision of the duo was always to consider the movement as the very heart of the watch, which meant that the company would need to be a manufacture to produce its own movements. “This was not just a question of designing our own movements,” explains Claude, “but being able to take exactly the kind of brass that we wanted and the type of steel that we wanted to make the best possible plates, bridges, screws and pinions that we could and to do the electroplating and finishing, as well as the assembly, all in-house.”

Armin Strom: A fully integrated manufacture

While Armin Strom is a vertically integrated complete horological manufacture, no new watch movement would ever have seen the light of day were it not for Claude Greisler, who puts ideas such as the one for the revolutionary Mirrored Force Resonance movement down on paper before they are transferred to computer-aided design programmes to start modelling the movement. Like so many things at Armin Strom, all of this is done in-house, with the dimensions calculated down to a precision of one micron to provide the inputs for the machines that will eventually produce the smallest of components.

At Armin Strom, the majority of components in the movement, with the exception of the escapement and balance spring, are produced in-house. Small round components like screws, pinions and gear wheels are produced by profile-turning machines, which gradually whittle away long steel or brass rods from the side to cut teeth or axles. Larger components such as base plates and bridges are produced from brass on CNC machines, which are capable of machining along multiple axes consecutively using different tools for different operations, moving the component using robotic arms

Particularly small and delicate components, such as smaller bridges, levers and springs, are produced using wire erosion. This involves threading a wire that is not much smaller than a human hair through a tiny hole in the metal. An electrical current running through the wire reacts with a solution in which the entire working plate is dipped, thus “eroding” minuscule amounts of the metal. This allows particularly delicate operations to be carried out while maintaining the structural integrity of the metal. In fact, Armin Strom does not produce any of its components by stamping because of the stresses that this places on the metal.

Once the raw components are manufactured, they are engraved, bevelled, polished and decorated with circular graining or Geneva stripes by hand before moving to the in-house electro-plating department. Here, all steel and brass components are first given a gold plating before a layer of nickel is added to prevent corrosion and harden the surface. After cleaning, the parts are then dipped in other electroplating baths to give them their final colour such as rhodium, ruthenium or rose gold. It is only thanks to its mastery of electroplating techniques inside its own workshops that Armin Strom can allow customers to choose preferred colours for the coating on different components.

Only then can the individual components of the movement be passed on to the watchmaker for assembly. After setting the jewels into the base plate and bridges, the watchmaker adds the gear train and mainspring. After the escapement and balance wheel are positioned, the movement finally comes to life…only to be completely disassembled, cleaned and dried before being re-assembled and lubricated. After several days of testing the precision, the watch is finally ready.

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